Tag: CENSE Research + Design

environmentsystems sciencesystems thinking

Systems thinking and the simple plan

on January 12, 2016
Building Castles in the Sky

Building Castles in the Sky, But Not Wheels on the Ground

 

Planning is something that is done all the time, but the shape in which these plans unfold is often complex in hidden ways. Without the same resources to evaluate those plans (and make different ones should they change) many organizations are left with great expectations that don’t match the reality of what they do (and can do). 

In my neighbourhood in Toronto there are no fewer than 10 building projects underway that involve development of a high-rise apartment/university residence/condominium on it of more than 20 stories in a 5 block radius from my home. Most are expected to be about 40 stories in height.

As a resident and citizen I was thinking one day: How does one even engage with this? I could attend a building planning meeting, but that would be looking at a single development on a single site, not a neighbourhood. There is a patchwork of plans for neighbourhoods, but they are guidelines, not embedded in specific codes. I was (and am) stuck with how to have a conversation of influence that might help shape decisions about how this was all going to unfold.

At the risk of being pegged as a NIMBY, let me state that I am fully able to accept that downtown living in a fast-growing, large urban centre means that empty lots or parking pads are a target for development and buildings will go up. I get to live here and so should others so I can’t complain about a development here and there. But when we are talking about development of that magnitude so quickly it gets quickly problematic for things like sidewalks, transit, parking, traffic, and even things like getting a seat at my favourite cafe that are all going to change in a matter of months, not years. There’s no evolution here, just revolution.

Adding a few hundred people to the neighbourhood in a year is one thing. Adding many thousand in that same time is something quite different. The problem is that city planning is done on a block-by-block basis when we live in an interconnected space. An example of this is transit. Anyone who takes a bus, streetcar or subway knows that the likelihood of getting a seat depends greatly on when you travel and where you get on. Your experience will radically change when you’re at the beginning of the line or near the end of it. Residents of one neighbourhood in Toronto were so tired of never being able to get on packed streetcars because they were in the middle of the line they crowdfunded a private bus service, which was ultimately shut down a few months later.

Planning for scale: bounding systems using foresight

On a piece-by-piece basis, planning impact is easier to assess. Buildings go through proposals for the lots — a boundary — and have to meet specific codes, which act as constraints on a system. Yet, next to these boundaries are boundaries for other systems; other lots and developments. They, too are given the same treatment and usually that produces a plan perfectly suited to that individual development, but something that might falter when matched with what’s next to it. Building plans are approved and weighed largely on their merits independent of the context and certainly not as a collective set of proposals. Why? Because there are different stakeholders with separate needs, timelines, investments and desires.

One of the keys is to have a vision for what the city will look like as a system.  Does your city have one? I’m not talking about something esoteric like “Be the greatest city in the world”, but generating some evidence-supported form of vision for what the city will look like in 5, 10, 25 years. This requires foresight, a structured, methodical means of drawing evidence-informed speculations about the future that combines design, data, and some imagination. In fact, my colleague Peg Lahn and I did this for the city of Toronto and what we envisioned the future ‘neighbourscapes’ of the city might look like using foresight methods.  We forecast out to 2030, drawing on trends and drivers of social activities and looking at current patterns of migration, development, policy and political activity.

That report focused on the city itself and its neighbourhoods in general, but didn’t look at specific neighbourhoods. Yet, strategic foresight can help create a bounded set of conditions where one can start to imagine the potential impact of decisions in advance and develop scenarios to amplify or mitigate against certain challenges or uncertainties. Foresight allows for better assessment of the landscape of knowns and unknowns within a complex system.

From cities to organizations

The same principles to civic planning through foresight can be applied to organizations. If you are assessing operations and plans for programs independent of one another and not as a whole, yet are operating an organization as a system with all its interdependencies, then without strategic foresight plans may just arbitrary statements of intent. Consider the “5-year plan“. Why is it five years? What is special about 5 years that makes us do that? How about four years? Ten? 18?

As former US President and general Dwight D. Einsenhower once said:

Plans are worthless, but planning is everything.

The planning process, no matter what the time scale, works best when it allows for engagement of ideas about what the future might look like, how to create it, and how to tell when you’ve been successful. This is part of what developmental evaluation does when blended with strategic foresight and design. This creates conversations about what future we want, what we see coming and how we might get to shape it. The plan itself is secondary, but the planning — informed by data and design — is what is the most powerful part of the process.

To draw on another US President, Abraham Lincoln:

The best way to predict your future is to create it.

By focusing on the here and now, independent of what is to come and might be, organizations risk designing perfectly suited programs, policies and strategies that are ideal for the current context, but jeopardize the larger system that is the organization itself.

Do you have a plan? Do you know where you’re going? Can you envision where things are going to be? How will you know when you get there or when to change course?

Resources

For resources on these topics check out the Censemaking library tab on this blog, which has a lot of references to tools and products that can help advance your thinking on strategic foresight, evaluation, design and systems thinking. For those interested in how developmental evaluation can contribute to program development, check out Michael Quinn Patton’s lastest book (with Kate McKegg and Nan Wehipeihana) on Developmental Evaluation Exemplars.

Lastly, if you need strategic help in this work, contact Cense Research + Design as this is what they (we) do.

 

 

 

 

 

businessdesign thinkingevaluationinnovation

Designing for the horizon

on January 1, 2016

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‘New’ is rarely sitting directly in front of us, but on the horizon; something we need to go to or is coming towards us and is waiting to be received. In both cases this innovation (doing something new for benefit) requires different action rather than repeated action with new expectations. 

I’ve spent time in different employment settings where my full-time job was to work on innovation, whether that was through research, teaching or some kind of service contribution, yet found the opportunities to truly innovate relatively rare. The reason is that these institutions were not designed for innovation, at least in the current sense of it. They were well established and drew upon the practices of the past to shape the future, rather than shape the future by design. Through many occasions even when there was a chance to build something new from the ground up — a unit, centre, department, division, school  — the choice was to replicate the old and hope for something new.

This isn’t how innovation happens. One of those who understood this better than most is Peter Drucker. A simple search through some of the myriad quotes attributed to him will find wisdom pertaining to commitment, work ethic, and management that is unparalleled. Included in that wisdom is the simple phrase:

If you want something new, you have to stop doing something old

Or, as the quote often attributed to Henry Ford suggests:

Do what you’ve always done and you will get what you’ve always got

Design: An intrapreneurial imperative

In each case throughout my career I’ve chosen to leave and pursue opportunities that are more nimble and allow me to really innovation with people on a scale appropriate to the challenge or task. Yet, this choice to be nimble often comes at the cost of scale, which is why I work as a consultant to support larger organizations change by bringing the agility of innovation to those institutions not well set up for it (and help them to set up for it).

There are many situations where outside support through someone like a consultant is not only wise, but maybe the only option for an organization needing fresh insight and expertise. Yet, there are many situations where this is not the case. In his highly readable book The Designful Company, Marty Neumeier addresses the need for creating a culture of non-stop innovation and ways to go about it.

At the core of this approach is design. As he states:

If you want to innovate, you gotta design

 

Design is not about making things look pretty, it’s about making things stand out or differentiating them from others in the marketplace**. (Good) Design is what makes these differentiated products worthy of consideration or adoption because they meet a need, satisfy a desire or fill a gap somewhere. As Neumeier adds:

Design contains the skills to identify possible futures, invent exciting products, , build bridges to customers, crack wicked problems, and more.

When posed this way, one is left asking: Why is everyone not trained as a designer? Or put another way: why aren’t most organizations talking about design? 

Being mindful of the new

This brings us back to Peter Drucker and another pearl of wisdom gained from observing the modern organization and the habits that take place within it:

Follow effective action with quiet reflection. From the quiet reflection will come even more effective action.

This was certainly not something that was a part of the institutional culture of the organizations I was a part of and it’s not part of many of the organizations I worked with. The rush to do, to take action, is rarely complemented with reflection because it is inaction. While I might have created habits of reflective practice in my work as an individual, that is not sufficient to create change in an organization without some form of collective or at least shared reflection.

To test this out, ask yourself the following questions of the workplace you are a part of:

  • Do you hold regular, timely gatherings for workers to share ideas, discuss challenges and explore possibilities without an explicit outcome attached to the agenda?
  • Is reflective practice part of the job requirements of individuals and teams where there is an expectation that it is done and there are performance review activities attached to such activity? Or is this a ‘nice to have’ or ‘if time permits’ kind of activity?
  • Are members of an organization provided time and resources to deliver on any expectations of reflective practice both individually or collectively?
  • Are other agenda items like administrative, corporate affairs, news, or ’emergencies’ regularly influencing and intruding upon the agendas of gatherings such as strategic planning meetings or reflection sessions?
  • Is evaluation a part of the process of reflection? Do you make time to review evaluation findings and reflect on their meaning for the organization?
  • Do members of the organization — from top to bottom — know what reflection is or means in the context of their work?
  • Does the word mindfulness come into conversations in the organization at any time in an official capacity?

Designing mindfulness

If innovation means design and effective action requires reflection it can be surmised that designing mindfulness into the organization can yield considerable benefits. Certain times of year, whether New Years Day (like today’s posting date), Thanksgiving (in Canada & US), birthdays, anniversaries, religious holidays or even the end of the fiscal year or quarter, can prompt some reflection.

Designing mindfulness into an organization requires taking that same spirit that comes from these events and making them regular. This means protecting time to be mindful (just as we usually take time off for holidays), including regular practices into the workflow much like we do with other activities, and including data (evaluation evidence) to support that reflection and potentially guide some of that reflection. Sensemaking time to bring that together in a group is also key as is the potential to use design as a tool for foresight and envisioning new futures.

To this last point I conclude with another quote attributed to Professor Drucker:

The best way to predict your future is to create it

As you begin this new year, new quarter, new day consider how you can design your future and create the space in your organization — big or small — to reflect and act more mindfully and effectively.

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** This could be a marketplace of products, services, ideas, attention or commitment.

Photo credit: Hovering on the Horizon by the NASA Earth Observatory used under Creative Commons Licence via Flickr

behaviour changeeducation & learninginnovation

Isolation: The New Innovator’s Dilemma

on March 27, 2014
It's can be a long, lonely climb

It’s can be a long, lonely climb

 Innovators transform the world around them in big and small ways and while a successful effort can be lauded by pundits, politicians and the public there is a long road to making change happen. That road is also a lonely one and doing things different means more than just innovating and experiencing what it means to be resilient firsthand. 

Clayton Christensen’s seminal book The Innovator’s Dilemma has been one of the leading sources of thinking-inspriation in business and social innovation. The book reflects the challenges with those seeking to introduce new ideas, products or services into established markets (or ecosystems) in the aim of addressing both people’s present and future needs.

These innovators — change-makers — risk disrupting the very markets they seek to influence bringing uncertainty for everyone. What innovators bet on is that the changes they introduce will have wide-ranging, positive benefits even if they don’t fully know what those are before setting out. Not surprisingly, these efforts are not always welcome at first and the road toward understanding and acceptance is a long one.

Innovation means doing something new and while we like to talk about new, many don’t actually like doing ‘new’ because that means questioning and changing things. Indeed, change — profound change — in thinking is often vigorously opposed as Albert Einstein pointed out in a quote that is paraphrased as:

Great spirits have always encountered violent opposition from mediocre minds

This opposition is a challenge for anyone, but the long slog towards innovation is not only hard on the spirit, it is often a lonely path.

The lonely lives of leaders

To innovate means to lead through ideas and products. We live in a society that admires and elevates the innovators. No better or perhaps inspiring example is the 1997 advertisement from Apple as part of the Think Different campaign in the 1990’s.

What is missing from the platitudes, plaudits and celebrations is the quiet, often lonely, life away from the attention that successful innovations bring (nevermind those that are not deemed successful). To innovate is to lead and to lead is often to be lonely by definition because there are few leading and more following. This leadership by thought or action is often what makes leaders appear creative, innovative and — as Seth Godin affectionately calls being weird. A study discussed in the Harvard Business Review and dissected in Forbes pointed to high rates of loneliness among those at the CEO level, which is among those who “made it”. Consider those who haven’t yet “made it”, who haven’t had their idea “succeed” or take off and it might feel even more lonely.

At a recent workshop I conducted a participant expressed publicly a sense of gratitude for simply having the opportunity to connect with others who were simply open to seeing the world in the same way that they were. In hosting a learning workshop for social innovators a positive byproduct was that attendees who might have been isolated in their activities and thinking in one context could come together in another.

Innovation, because it is new, means that innovators have few peers available to directly commiserate with and may need to find ways to connect on idea, method, philosophy or role, but rarely something direct. That requires extra work in the search and more effort to connect in the finding, which takes time and energy — two things innovators are often short of.

But that doesn’t diminish the value and importance of time and energy and directing it towards efforts to reduce isolation.

Creating deep community

Paul Born, Director of the Tamarack Institute for Community Engagement, recently published a book on creating deep community connections as a necessary means of fostering transformative change. Born offers four pillars to a deepening community are:  1) sharing stories, 2) taking the time to enjoy one another, 3) taking care of one another, and 4) working together towards a bigger social goal.

While there is little to argue with here, these pillars rest on the ability to locate, co-locate and create the space to share, enjoy, care and collaborate in the first place. For many innovators this is the hardest part. Where do we find the others like ourselves and how do begin to frame this journey?

There is a reason that innovators have flocked to tools like the Business Model Canvas and the Lean Startup method to help people define, refine and develop their products and mission. It’s easy to point to firms like Apple as examples of clear-focused innovators now, but 20 or 30 years ago it wasn’t so clear. Apple’s overall mission and vision are easy to see lived out in hindsight, not at the beginning. A read of Steve Jobs’ biography illustrates how often his way of approaching the world clashed with nearly everyone and everything and how difficult life was for him.

But Steve Jobs happened to be challenging the world in a place that would come to be known as Silicon Valley. For the last thirty years the San Francisco bay area has been a spark for creative thinking and innovation, one of many hotbeds of business and cultural transformation that Richard Florida documented as home of the Creative Class(es). But not all innovation takes place in these centres and even within such centres it might be hard to connect when an idea is ill-formed or new. We lose out when innovation is only done in certain places by certain people.

(Social) innovators are part of a diffuse and sometimes lost tribe.

Troubled language

If you look at the language that we frame innovation we reveal many of the problems with not only our ideas, but what we do with them. As mentioned in previous posts, we privilege terms like creativity, but often ignore craft. We aspire to be learners, but often don’t like real learning. We tout the role of failure in design and innovation, yet our overloaded cultural baggage attached to the term prevents us from really failing (or asking such tepid questions we don’t really stretch ourselves).

Having access to social media and electronic communities offer a lot and something we didn’t have before, but its very difficult to forge strong, connective bonds mediated through a technological interface. Technology is good at initiating superficial connections or maintaining deeper connections, but not so good at creating deep connections. Those deeper connections as Paul Born points out are the things that sustain us and allow us to do our best work.

The dilemma is how to allocate time and resources in cultivating uniqueness, depth and connecting to similar innovators when that pool is small or integrating more with those in the convention system. Of course innovators need to relate to both groups at some level because an innovation doesn’t grow if we only connect to ‘true believers’, but at different stages it matters how we’re allocating our time, energy and enthusiasm particularly along that journey up Mt. Isolation.

Options

There is no ready answer for this problem. Indeed, the lonely path to being different, weird or constructively challenge the harmful or less effective parts of the status quo may be one of the most wicked ones innovators face.

For those interested in social innovation there are a few examples for those who want to find peers and connect:

  • The Tamarack Institute for Community Engagement (mentioned earlier) has different communities of practice focused on various aspects of community building and social innovation. They host events and have created a vibrant community of learners and action-oriented professionals across Canada and the United States;
  • LinkedIn has a number of topical groups that have evolved on a variety of social and innovation topics that include local, global and topical foci;
  • The Social Innovation Generation Group convenes formal and informal events connecting those working in the social innovation space in the Greater Toronto Area and across Canada;
  • Meetups are self-organized gatherings on virtually every topic under the sun in communities across the globe. Check out and see if there is something near you;
  • In Toronto and New York City, the Centre for Social Innovation is a part co-working space, social action community, and venture incubation support group that connects and enlivens the work that social innovators do. They have many events (many are free and low cost) organized by their members that seek to bring people together and offer skill development. If you’re in Ottawa, check out The Hub. In Calgary? Check out EpicYYC ;  In Vancouver, visit the great folk at the HiVE. Throughout the United States Impact Hub spaces offer innovators options to work and connect and in Cambridge, MA there is the amazing Cambridge Innovation Centre for innovation more broadly. MaRS in Toronto offers another option.
  • Lastly, CENSE Research + Design hosts a series of webinars and free and paid workshops to create capacity for social innovation. For more information visit: www.cense.ca/learning .

References:

Born, P. (2014). Deepening Community: Finding Joy Together in Chaotic Times (p. 216). San Francisco, CA: Berrett-Koehler Publishers.

Wheatley, M. (2006). Leadership and the New Science: Discovering Order in a Chaotic World (3rd. ed., p. 218). San Francisco, CA: Berrett-Koehler Publishers.

Wheatley, M. (2007). Finding Our Way: Leadership for an Uncertain Time (p. 300). San Francisco, CA: Berrett-Koehler Publishers.

Wheatley, M. (2010). Perseverance (p. 168). San Francisco, CA: Berrett-Koehler Publishers.

Photo: Mt. Isolation This Way on Flickr by Tim Sackton used under Creative Commons License. (Thanks for the great shot Tim and making it available for others to use!)

art & designdesign thinkinginnovation

Creativity and Craft, Myth and Muscle

on March 24, 2014
Applying Creative Muscle

Applying Creative Muscle

Creativity is a word shrouded in myth that has been held up as this elusive, seductive object that will reveal the true secrets of innovation if ever reached. Creativity is something we all have, but not all of us are craftspeople and knowing where these two are separate and meet is the difference between myth and the muscles needed to turn creativity into innovations.  

A tour of blogs, journals, and magazines that cover innovation from Inc, Fast Company, Harvard Business Review, The Atlantic, Entrepreneur and all the way to Brain Pickings will find one topic more visible than most: creativity.

Creativity is one of those terms that everyone knows, many use, has multiple meanings and is highly dependent on person and context. It’s also something that many of us feel we lack. This is not surprising given the way we set our schools and workplaces up as Sir Ken Robinson has discussed throughout his career.

Robinson has delivered perhaps one of the best and certainly most viewed talks on this at TED a few years ago illustrating the ways creativity gets ‘schooled’ out of us early on:

Accessing creativity

A look at the evidence base — which is enormous, unstructured, and varied in quality and scope — finds that creativity is hardly the mythical thing it gets made out to be and, following Sir Ken’s points raised in his TED talk, something we all have in us that may simply be hidden. More than anyone, Dr Keith Sawyer knows this having put together perhaps the strongest collection of evidence for the application of creativity in his books Explaining Creativity and, more recently, Zig Zag. (Both books are highly recommended).

Sawyer dispels such myths of the creative genius or the “flash of insight” as a linear process, rather pointing to creativity as often the cultivation of practices and habits that people go through to generate insights and products. This ‘zig zag’ represents metaphorically taking switchbacks to climb a mountain rather than going straight uphill. As you engage in creative thinking and action you build a deeper knowledge base, hone and acquire skills, and simply become more creative. “Creative people” are those that engage in these practices, build the habits of mind of creativity, and persist through each zig and zag along the way.

Design and design thinking is often associated with creativity because it is, in part, about creatively finding, framing and addressing problems through a structured process of inquiry, prototyping and revision. David and Tom Kelley in their recent book Creative Confidence point to design thinking as a layered foundation that is what much creativity is built upon. The disciplined, guided process that design thinking (well applied) offers is a vehicle for building creative confidence in those who might not feel very creative in what they do.

The process of design thinking — illustrated in the CENSE model of innovation development below — fits with Sawyer’s assertion of how creativity unfolds.

The design and innovation cycle

The CENSE design and innovation corkscrew model

The role of craft

What Robinson, Sawyer, the Kelley brothers and others have done is dispelled the myths that creativity is some otherworldly trait and shown that its something for all of us. What can get lost in the blind adoption of this way of thinking is attention to craft.

Craft is the technical skill of applying creativity to a problem or task and that is something that is quite varied. The debate over whether or not the term designer belongs to everyone who applies creativity to solving problems or those with formal design training largely is one of craft.

Craft is the thing that brings wisdom from experience and technical skill in transforming creative ideas into quality products, not just interesting ones.

In our efforts to free people from the shackles of their education and a social world that told them they weren’t creative we’ve put aside discussion of craft in the hopes that we simply get people moving and creating. That is so very important to unlocking creative confidence and ensuring that our efforts to develop social innovations are truly social and engage the widest possible numbers of participants. However, it will be craft that ensures these solutions don’t turn into what George Carlin referred to as (great) ideas that suck. 

Building design practice in the everyday

The habits of creativity are just that, habits. And if design is the way of applying creativity to problems then building a design practice is key. This means bringing elements of design into the way you operate your enterprise. Spend a lot of time finding the right problems is a start (as discussed in a previous post). Discover, inquire and be curious. Visualize, prototype, create small ‘safe-fail’ experiments, and ensure that there is a learning mechanism through the evaluation to allow your enterprise to adapt.

This is all easier said than done. It can be easy to be satisfied with being creative, but to be excellent involves craft and that requires something beyond creativity alone. It may involve training (formal or otherwise), it most certainly involves mindful attention to the work (which is what underlies the ‘10,000 hour rule’ of practice that make someone an expert), but it also requires skill. Many will find their creative talents in art, management, leadership, or service, but not all will be remarkable in exercising that skill.

To put it another way; it’s like a muscle. Everyone can work their muscles and develop them with training, nutrition, rest, and attention, but some will respond to this differently for a variety of reasons due to how all of those activities come together. This is what helps contribute to reasons why someone might be better adept at long-distance running, while others are good at bulking up and still others are far more flexible on the yoga mat.

We are all creative. We are all designers, too. But not all of us are stellar designers for all things and its important to build our collective design literacy, which includes knowing when and how to cultivate, hire and retail craftspeople and not just assume we can design think our way through everything. This last point is what will ensure that design thinking doesn’t fade away as a fad after it “didn’t produce results” because people have confused creativity with craft, myth with muscle.

References: 

Kelley, T., & Kelley, D. (2013). Creative confidence: unleashing the creative potential within us all. New York, N.Y.: Crown Publishers.

Sawyer, R. K. (2012). Explaining creativity: The science of human innovation (2nd Edition.). Oxford, U.K.: Oxford University Press.

Sawyer, R. K. (2013). Zig Zag: The Surprising Path to Greater Creativity. San Francisco, CA: Jossey-Bass.

behaviour changecomplexityeducation & learningpsychologysystems science

Asking Better and More Beautiful Questions

on March 12, 2014

Why__by_WhiteSpeed

Beautiful answers require beautiful (and better) questions and Warren Berger’s new book looks at this very phenomenon of inquiry and asks: What does it mean to ask better questions and what does that mean for the answers we seek and receive?  

Warren Berger recently published  A More Beautiful Question, a book looking at something we take for granted and yet is the foundational building block for all great designs and innovations: the question.

Perhaps more specifically, Berger is looking at hundreds of questions as he delves into the process of questioning, the kind of questions that lead to provocative and insightful answers, and the habits of good questioning that make for sustained innovation over time.  Berger is well suited to this inquiry having penned the book Glimmer, which profiled designer Bruce Mau and explored the concept of design thinking in great detail.

Asking good questions is perhaps the (often unstated, missed and neglected) foundation of what design thinking is all about and seeing that design is the foundation of innovation it therefore means that questioning is at that foundation, too. This is important stuff.

Finding the right problem by asking better questions

A look at any bookstore, blog roll, or journal dealing with the topic of innovation and you’ll inevitably find the word “creativity” used a lot. Creativity — the act and process of creating things — is highly correlated with the questions that spur the creation in the first place. Education professor J.W. Getzels did some of the earliest research on creativity and questioning (which is interestly absent from Berger’s book) and found that those who took more time to find the best problem to solve – and thus, asked better and deeper questions of their world and subject matter — came up with more creative ideas than those who dove quickly into solving the problem as they initially saw it.

The simple take-away is: 

At the root of an answer is a question – J.W. Getzels

The better the question, the better the answer.

In complexity terms, the questions asked often create the path dependencies that entrench practices that come after it. So by asking better or ‘more beautiful’ questions and giving that attention we are not only doing ourselves a service, but are acting more ethical as well. This ethical foundation is what underlies mindfulness practice. Jon Kabat Zinn has written extensively on the importance of grounding oneself to ask better questions of the world, something that I’ve done through CENSE Research + Design in developing a mindful organization model.

In his 2004 presidential address to the Canadian Psychological Association Pat O’Neill looked at how sub-fields like community psychology changed the nature of how many “problems” in psychology were framed at the outset. Issues like poverty, drug addiction and unemployment were often (and still are in many domains) framed as personal, moral failings or just bad choices. By asking different questions of these problems, community psychologists were able to see how social policies, neighbourhood structures, social networks, and historical social exclusion — all systems issues — factor in to frame and constrain individual’s choices and risk behaviours. Suddenly, what had been framed as a personal problem, became a shared one that we all had at least some stake in.

It is this thinking that has led to greater awareness of how social change is inextricably linked to systems change and why we need to understand systems at the individual, organizational, community and societal level if we wish to address many of our social problems. Asking systems questions is asking different, sometimes more beautiful questions that get at the root of problems and inspire social innovation.

Finding the beautiful question

In his book, Berger finds that those best equipped to solve or at least address these big wicked questions in business, philanthropy and social innovation are those that ask ‘beautiful questions’ and do it often. Berger cites studies that have shown a clear relationship between success in leadership and a propensity to ask good questions. Asking good questions however takes time and the willingness to take time to question, think and question some more is another stand-out feature of these successful leaders.

It is why good questioning is also a leadership issue. Effective leaders often take the time needed to fully process the most important decisions to form what Gary Hamel and C.K. Pralahad refer to as strategic intent. Psychologist Daniel Goleman recently summarized the research linking mindfulness to focus and leadership, showing how leaders are able to better focus on what they do by being mindful. This mindful attention clears away much of the cognitive clutter to enable better question finding and asking.

Berger shows that finding the question requires some persistence. Good questioners are able to live with not having an answer or even the right question for a while. They have great patience. That ability to stand back and think, see, reflect and think some more while prototyping questions is what separates those who ask the better questions from those who don’t.

Creative collisions also helps. By mixing up ideas and connections with others, good questioners give themselves the raw material to work with. However, many of the best questioners that Berger spoke to also advocated for the need for some solitude and time to process these ideas and questions on their own. This mix of collaboration, collision, and independence is a key factor in developing the beautiful idea.

Designing better question-making

What jumped out at me in this book was how little support most organizations offer themselves for asking better, beautiful questions. Berger noted that the need for ‘serial mastery’ and constant learning is a staple of the new work environment, which should lend itself to question asking. However, if organizations are unwilling or unable to provide time for reflection, training, knowledge integration and ongoing discovery through better questions how likely is it that the workforce is going to respond to this need for new skills?

Are organizations willing to invest in a culture of inquiry? Are organizations able to make the leap from knowing things to asking things? How many public sector, non-profit, social and health service organizations (let alone industry groups) would be willing to follow companies like Google who create space — literally and figuratively — for questioning? These are some of the questions I asked myself as I read Berger’s book.

These are design questions. Berger notes how Google’s founders, Larry Page and Sergey Brin, were both Montessori school graduates. The Montessori system of education is based on question asking and Google is run as an organization largely framed around questions (and queries as noted by the very notion of “googling” something). Google has been designed to support better questions in its literal architecture of its software, its hardware, its office space, and the ‘20 per cent time‘ they offer employees to explore questions they have and projects that are of personal importance to them.

True to the idea of questions being worthy of paying attention to, Warren Berger’s book is filled with them including some answers. I liked the book and believe that he has tapped into something very big. Whether or not organizations and leaders will be inspired to ask better questions from this or simply try to find better answers in the processes they have is perhaps the big question next.

On a related note, March 14th has been dubbed Question Day by Berger and his colleagues at the Right Question Institute, a non-profit organization that provides support for teachers and students to ask better questions in school as a foundation for a lifetime of learning. 

References:

Berger, W. (2009). Glimmer: How Design Can Transform Your Life, Your Business, and Maybe Even the World. Toronto, ON: Random House Canada.

Berger, W. (2014). A more beautiful question: The power of inquiry to spark breakthrough ideas. New York, N.Y.: Bloomsbury Publishing.

Chand, I., & Runco, M. A. (1993). Problem finding skills as components in the creative process. Personality and Individual Differences, 14(1), 155–162.

Getzels, J. W. (1979). Problem Finding: a Theoretical Note. Cognitive Science, 3(2), 167–172. doi:10.1207/s15516709cog0302_4

Getzels, J. W. (1980). Problem Finding and Human Thought. The Educational Forum, 44(2), 243–244.

Goleman, D. (2013). Focus: The Hidden Driver of Excellence. New York, N.Y.: Harper Collins.

O’Neill, P. (2005). The ethics of problem definition. Canadian Psychology, 46(13-22).

Photo credit: Why? by Whitespeed via DeviantArt

complexitydesign thinkingemergenceevaluationsystems science

Developmental Evaluation and Design

on January 28, 2014
Creation for Reproduction

Creation for Reproduction

 

Innovation is about channeling new ideas into useful products and services, which is really about design. Thus, if developmental evaluation is about innovation, then it is also fundamental that those engaging in such work — on both evaluator and program ends — understand design. In this final post in this first series of Developmental Evaluation and.., we look at how design and design thinking fits with developmental evaluation and what the implications are for programs seeking to innovate.  

Design is a field of practice that encompasses professional domains, design thinking, and critical design approaches altogether. It is a big field, a creative one, but also a space where there is much richness in thinking, methods and tools that can aid program evaluators and program operators.

Defining design

In their excellent article on designing for emergence (PDF), OCAD University’s Greg Van Alstyne and Bob Logan introduce a definition they set out to be the shortest, most concise one they could envision:

Design is creation for reproduction

It may also be the best (among many — see Making CENSE blog for others) because it speaks to what design does, is intended to do and where it came from all at the same time. A quick historical look at design finds that the term didn’t really exist until the industrial revolution. It was not until we could produce things and replicate them on a wide scale that design actually mattered. Prior to that what we had was simply referred to as craft. One did not supplant the other, however as societies transformed through migration, technology development and adoption, shifted political and economic systems that increased collective actions and participation, we saw things — products, services, and ideas — primed for replication and distribution and thus, designed.

The products, services and ideas that succeeded tended to be better designed for such replication in that they struck a chord with an audience who wanted to further share and distribute that said object. (This is not to say that all things replicated are of high quality or ethical value, just that they find the right purchase with an audience and were better designed for provoking that).

In a complex system, emergence is the force that provokes the kind of replication that we see in Van Alstyne and Logan’s definition of design. With emergence, new patterns emerge from activity that coalesces around attractors and this is what produces novelty and new information for innovation.

A developmental evaluator is someone who creates mechanisms to capture data and channel it to program staff / clients who can then make sense of it and thus either choose to take actions that stabilize that new pattern of activity in whatever manner possible, amplify it or — if it is not helpful — make adjustments to dampen it.

But how do we do this if we are not designing?

Developmental evaluation as design

A quote from Nobel Laureate Herbert Simon is apt when considering why the term design is appropriate for developmental evaluation:

“Everyone designs who devises courses of action aimed at changing existing situations into preferred ones”.

Developmental evaluation is about modification, adaptation and evolution in innovation (poetically speaking) using data as a provocation and guide for programs. One of the key features that makes developmental evaluation (DE) different from other forms of evaluation is the heavy emphasis on use of evaluation findings. No use, no DE.

But further, what separates DE from ulitization-focused evaluation (PDF) is that the use of evaluation data is intended to foster development of the program, not just use. I’ve written about this in explaining what development looks like in other posts. No development, no DE.

Returning to Herb Simon’s quote we see that the goal of DE is to provoke some discussion of development and thus, change, so it could be argued that, at least at some level, DE it is about design. That is a tepid assertion. A more bold one is that design is actually integral to development and thus, developmental design is what we ought to be striving for through our DE work. Developmental design is not only about evaluative thinking, but design thinking as well. It brings together the spirit of experimentation working within complexity, the feedback systems of evaluation, with a design sensibility around how to sensemake, pay attention to, and transform that information into a new product evolution (innovation).

This sounds great, but if you don’t think about design then you’re not thinking about innovating and that means you’re really developing your program.

Ways of thinking about design and innovation

There are numerous examples of design processes and steps. A full coverage of all of this is beyond the scope of a single post and will be expounded on in future posts here and on the Making CENSE blog for tools. However, one approach to design (thinking) is highlighted below and is part of the constellation of approaches that we use at CENSE Research + Design:

The design and innovation cycle

The design and innovation cycle

Much of this process has been examined in the previous posts in this series, however it is worth looking at this again.

Herbert Simon wrote about design as a problem forming (finding), framing and solving activity (PDF). Other authors like IDEO’s Tim Brown and the Kelley brothers, have written about design further (for more references check out CENSEMaking’s library section), but essentially the three domains proposed by Simon hold up as ways to think about design at a very basic level.

What design does is make the process of stabilizing, amplifying or dampening the emergence of new information in an intentional manner. Without a sense of purpose — a mindful attention to process as well — and a sensemaking process put in place by DE it is difficult to know what is advantageous or not. Within the realm of complexity we run the risk of amplifying and dampening the wrong things…or ignoring them altogether. This has immense consequences as even staying still in a complex system is moving: change happens whether we want it or not.

The above diagram places evaluation near the end of the corkscrew process, however that is a bit misleading. It implies that DE-related activities come at the end. What is being argued here is that if the place isn’t set for this to happen at the beginning by asking the big questions at the beginning — the problem finding, forming and framing — then the efforts to ‘solve’ them are unlikely to succeed.

Without the means to understand how new information feeds into design of the program, we end up serving data to programs that know little about what to do with it and one of the dangers in complexity is having too much information that we cannot make sense of. In complex scenarios we want to find simplicity where we can, not add more complexity.

To do this and to foster change is to be a designer. We need to consider the program/product/service user, the purpose, the vision, the resources and the processes that are in place within the systems we are working to create and re-create the very thing we are evaluating while we are evaluating it. In that entire chain we see the reason why developmental evaluators might also want to put on their black turtlenecks and become designers as well.

No, designers don't all look like this.

No, designers don’t all look like this.

 

Photo Blueprint by Will Scullen used under Creative Commons License

Design and Innovation Process model by CENSE Research + Design

Lower image used under license from iStockphoto.

complexityeducation & learningemergenceevaluationsystems thinking

Developmental Evaluation and Mindfulness

on January 20, 2014
Mindfulness in Motion

Mindfulness in Motion?

Developmental evaluation is focused on real-time decision making for programs operating in complex, changing conditions, which can tax the attentional capacity of program staff and evaluators. Organizational mindfulness is a means of paying attention to what matters and building the capacity across the organization to better filter signals from noise.

Mindfulness is a means of introducing quiet to noisy environments; the kind that are often the focus of developmental evaluations. Like the image above, mindfulness involves remaining calm and centered while everything else is growing, crumbling and (perhaps) disembodied from all that is around it.

Mindfulness in Organizations and Evaluation

Mindfulness is the disciplined practice of paying attention. Bishop and colleagues (2004 – PDF), working in the clinical context, developed a two-component definition of mindfulness that focuses on 1) self-regulation of attention that is maintained on the immediate experience to enable pattern recognition (enhanced metacognition) and 2) an orientation to experience that is committed to and maintains an attitude of curiosity and openness to the present moment.

Mindfulness does not exist independent of the past, rather it takes account of present actions in light of a path to the current context. As simple as it may sound, mindfulness is anything but easy, especially in complex settings with high levels of information sources. What this means for developmental evaluation is that there needs to be a method of capturing data relevant to the present moment, a sensemaking capacity to understand how that data fits within the overall context and system of the program, and a strategy for provoking curiosity about the data to shape innovation. Without attention, sensemaking or interest in exploring the data to innovate there is little likelihood that there will be much change, which is what design (the next step in DE) is all about.

Organizational mindfulness is a quality of social innovation that situates the organization’s activities within a larger strategic frame that developmental evaluation supports. A mindful organization is grounded in a set of beliefs that guide its actions as lived through practice. Without some guiding, grounded models for action an organization can go anywhere and the data collected from a developmental evaluation has little context as nearly anything can develop from that data, yet organizations don’t want anything. They want the solutions that are best optimized for the current context.

Mindfulness for Innovation in Systems

Karl Weick has observed that high-reliability organizations are the way they are because of a mindful orientation. Weick and Karen Sutcliffe explored the concept of organizational mindfulness in greater detail and made the connection to systems thinking, by emphasizing how a mindful orientation opens up the perceptual capabilities of an organization to see their systems differently. They describe a mindful orientation as one that redirects attention from the expected to the unexpected, challenges what is comfortable, consistent, desired and agreed to the areas that challenge all of that.

Weick and Sutcliffe suggest that organizational mindfulness has five core dimensions:

  1. Reluctance to simplify
  2. Sensitivity to operations
  3. Commitment to resilience
  4. Deference to expertise
  5. Preoccupation with failure

Ray, Baker and Plowman (2011) looked at how these qualities were represented in U.S. business schools, finding that there was some evidence for their existence. However, this mindful orientation is still something novel and its overlap with innovation output, unverified. (This is also true for developmental evaluation itself with few published studies illustrating that the fundamentals of developmental evaluation are applied). Vogus and Sutcliffe (2012) took this further and encouraged more research and development in this area in part because of the lack of detailed study of how it works in practice, partly due to an absence of organizational commitment to discovery and change instead of just existing modes of thinking. 

Among the principal reasons for a lack of evidence is that organizational mindfulness requires a substantive re-orientation towards developmental processes that include both evaluation and design. For all of the talk about learning organizations in industry, health, education and social services we see relatively few concrete examples of it in action. A mistake that many evaluators and program planners make is the assumption that the foundations for learning, attention and strategy are all in place before launching a developmental evaluation, which is very often not the case. Just as we do evaluability assessments to see if a program is ready for an evaluation we may wish to consider organizational mindfulness assessments to explore how ready an organization is to engage in a true developmental evaluation. 

Cultivating curiosity

What Weick and Sutcliffe’s five-factor model on organizational mindfulness misses is the second part of the definition of mindfulness introduced at the beginning of this post; the part about curiosity. And while Weick and Sutcliffe speak about the challenging of assumptions in organizational mindfulness, these challenges aren’t well reflected in the model.

Curiosity is a fundamental quality of mindfulness that is often overlooked (not just in organizational contexts). Arthur Zajonc, a physicist, educator and President of the Mind and Life Institute, writes and speaks about contemplative inquiry as a process of employing mindfulness for discovery about the world around us.Zajonc is a scientist and is motivated partly by a love and curiosity of both the inner and outer worlds we inhabit. His mindset — reflective of contemplative inquiry itself — is about an open and focused attention simultaneously.

Openness to new information and experience is one part, while the focus comes from experience and the need to draw in information to clarify intention and actions is the second. These are the same kind of patterns of movement that we see in complex systems (see the stitch image below) and is captured in the sensing-divergent-convergent model of design that is evident in the CENSE Research + Design Innovation arrow model below that.

Stitch of Complexity

Stitch of Complexity

CENSE Corkscrew Innovation Discovery Arrow

CENSE Corkscrew Innovation Discovery Arrow

By being better attuned to the systems (big and small) around us and curiously asking questions about it, we may find that the assumptions we hold are untrue or incomplete. By contemplating fully the moment-by-moment experience of our systems, patterns emerge that are often too weak to notice, but that may drive behaviour in a complex system. This emergence of weak signals is often what shifts systems.

Sensemaking, which we discussed in a previous post in this series, is a means of taking this information and using it to understand the system and the implications of these signals.

For organizations and evaluators the next step is determining whether or not they are willing (and capable) of doing something with the findings from this discovery and learning from a developmental evaluation, which will be covered in the next post in this series that looks at design.

References and Further Reading: 

Bishop, S. R., Lau, M., Shapiro, S., & Carlson, L. (2004). Mindfulness: A Proposed Operational Definition. Clinical Psychology: Science and Practice, 11(N3), 230–241.

Ray, J. L., Baker, L. T., & Plowman, D. A. (2011). Organizational mindfulness in business schools. Academy of Management Learning & Education, 10(2), 188–203.

Vogus, T. J., & Sutcliffe, K. M. (2012). Organizational Mindfulness and Mindful Organizing : A Reconciliation and Path Forward. Academy of Management Learning & Education, 11(4), 722–735.

Weick, K. E., Sutcliffe, K. M., Obstfeld, D., & Wieck, K. E. (1999). Organizing for high reliability: processes of collective mindfulness. In R. S. Sutton & B. M. Staw (Eds.), Research in Organizational Behavior (Vol. 1, pp. 81–123). Stanford, CA: Jai Press.

Weick, K.E. & Sutcliffe, K.M. (2007). Managing the unexpected. San Francisco, CA: Jossey-Bass.

Zajonc, A. (2009). Meditation as contemplative inquiry: When knowing becomes love. Barrington, MA: Lindisfarne Books.

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