Social Media and the Limits to Growth

Social Media, Social Noise?

Social media provides a virtual firehose of content that surpasses anything we’ve had access to before. But is this sea of content becoming too much to manage and what does this mean for knowledge-driven enterprises as the barriers to content creation drop almost as low as they are for consumption?

I added some new friends to Facebook this week. To my knowledge, there weren’t any that left my roster. I also had quite a few new people follow me on Twitter. This blog was visited a few hundred times and even my other, less widely publicized blogs got some traffic. So too did millions of others. Despite there being holidays North and South of the Canada-US border, people still were reading and writing and so, too, was the rest of the world.

Dana Meadows’ classic work in system dynamics, The Limits to Growth, has served as a treatise on the problem of the “more of everything” mindset for a generation and continues to inspire work in the environmental movement. It may be time to dust off our copies of Meadows’ book (or pick up her newer, posthumously published one, Thinking in Systems) and consider what this means for social media.

The argument is pretty straightforward: “more of everything” thinking to solve problems leads to dynamic shifts in our system that have unintended consequences. If our current capacity to handle information — whether in quantity or quality — is a certain level now, adding more input will result in a change in this capacity. These changes are often non-linear in nature. Consider the example of lifting weights at the gym. You might do 10 repetitions of an exercise where the first 7 feel comparably similar and then grunt and push your way through the final three with difficulty that gets exponentially more difficult with each additional rep. This is an example of a type of distribution of experience that social media operates in.

Complex dynamic systems, of which social media is indeed one, frequently operate using Pareto distributions of activity, not the standard normal one.  What this means in complexity terms is that when we start to feel that it is hard to handle things, the gap between our current capacity and maximum capacity is actually very small not something far off. I believe we are getting close.

What this means is still a mystery. We humans are remarkably adaptive and if the information layer is too thick in one area of our life, we will compensate in others. Unfortunately, this means neglecting other activities, whether that be face-to-face relations with others, hobbies, other interests, travel and so on. Another compensatory response is to distribute attentional resources differently. That is, spend less time in depth on issues to allow for greater breadth.

All of these are problematic when many of the challenges we face require more sophisticated thinking, contemplative inquiry, and the space to bring diverse perspectives to bear. Complex problem solving is difficult because it often requires working with others, considering different perspectives, listening deeply and broadly; all of which take time, which is something we are taking less of more and more. In public health, we’re doing a bad job of serving as role models in caring for ourselves and giving us the time to contemplate these big problems. A fascination with social media, while helping us consider the role of relationships, could also be undermining our already fragile state of attentional awareness.

I recently experimented with the new service Path, which allows you to build a deep relationship with others using social media. It was among the shortest experiments of my social media career. Interesting idea, but the wave of content that it helped unleash was too much, too soon. What I am worrying about is spending less time on things, not more. In embracing social media as a tool to support complex decision making and learning I am realizing that there is an ironic twist in that it, in some cases, is reducing my ability to do so.

In striving to create better wayfinding strategies, I am getting lost.

These are design problems, wicked problems, and ones that we will need to tackle soon lest we have more of everything and wind up with lots of nothing.


The Complexity Challenge

Is Learning Falling Down When it Comes to Complexity?

Before acting in a manner consistent with complexity principles, people need to understand what they are, how they are different from other systems, and what it means for their work. With mainstream education, professional practice so geared to linear forms of learning this bodes poorly for building better systems thinkers. 

Let’s just throw some social media at it” is a variant of an expression I often hear in my work in health communications consulting and training. Organizations seeking to use the new tools and media employed by Facebook, Twitter, and YouTube genuinely want to “get in the game” and use them effectively. Where things get problematic is when I tell them that social media is principally about building relationships and that extends to organizations: you need to relate and therefore  act according to how you build relationships.

Just as no one (at least no one I’ve met) would consider drawing up a flowchart and showing a prospective mate the planned trajectory of their dating relationship with milestone targets and deliverables, no organization should think that they can just shovel content to people and expect their audience to relate better to them.

At first one might attribute this to a lack of understanding of social media, but that is only a small part of it. Empathy is another. But the third and perhaps biggest reason is a fundamental lack of understanding of complexity and what it means.

The seductive nature of the “best practice” and the prescription for change in 5,7, 10, 12 or whatever easy steps is something that is endemic in our society. These forms of thought suggest a linear trajectory of events, suggest an ability to control for externalities and parse out their impact, and provide a prescriptive solution that removes much of the worry about unknowns. But H. L. Mencken’s often quoted phrase (which I’ve used often) suggests the folly in this.

Simplicity is another way to get around complexity. It is something sought, but rarely achieved in its application to the lived reality of the human condition, and although much discussed it hasn’t been widely achieved as a means of policy effectiveness. The reason lies with the nature of complexity itself and its resistance to reductionism. Evidence from biology through psychology (see previous links for examples) points to the considerable problem that science has with applying linear modes of thought and inquiry to complex systems.

The problems here are multifold and complicated, if not complex.

1. Our education system is designed for linear, progressive modes of learning not discovery and non-linearity. We sit kids (and adults) in rows, we talk at them, we present material front-to-back. In short, we don’t design education for learning, but for knowledge transmission. Complexity is all about learning. Every situation has a degree of novelty to it that presents new challenges and what happens today might not be the same thing that happens tomorrow even if much is similar. Teaching to discover, adapt, play and risk is something our system doesn’t do well. How can we expect complexity and systems thinking to thrive when the muscles used

2. It’s more convienient to think in dichotomies than spectrums. As I’ve written previously, spectral thinking is something critical to many of the issues we face in complex systems. Good/bad, strong/weak, X/Y lose their meaning in complex environments where there is a. Of all the dichotomies that work, only Ying/Yang comes close. But its a more difficult concept to grasp that maybe things aren’t all one way or the other, that there is use in even something that isn’t well constructed. This problem (and the ones that follow) are tied to the first one: education and learning systems are not set up for this. We are primed for either/or thinking. Think in criminal justice terms how easy it is to demand harsh punishment for criminal acts without considering that the perpetrators are human too, even if their behaviour is unacceptable.

The only dichotomy that works in complex systems?

3. Our decision-making tools are ill-equipped to handle ambiguity. Health care is a great example of how badly we do at complexity thinking. Consider the systematic review, often viewed as the gold standard for evidence for adoption into healthcare organizations. If it has a good systematic review, then the chances that we will see that evidence translated into practice is good, right? No. Surprisingly, even systematic reviews of systematic review use shows a mixed bag in adoption. Systematic reviews are designed to reduce ambiguity, but (for those on human social systems at least) they only illustrate how much there is. A systematic review only looks at the evidence created, it doesn’t include all those questions that were never asked, never funded for inquiry, or couldn’t be structured in a manner that fits the criteria for a good review. It is, by its design, reductionistic in its approach to complexity.

4. Our institutions are resistant to complexity. Complexity takes time, nuance, and relationship development; all the things that screw up plans. You can’t plan a relationship, but you can anticipate some things. You might even be able to use scenario tools and strategic foresight methods to anticipate what might happen, but you can’t plan it. John Lennon is right:

Life is what happens when you’re busy making other plans

While we plan, the complex systems move along. We can plan and fail, fail and plan, or plan to fail and work build the strategic foresight to know what to do with these “failures”.

So now what? Being aware of these things is a start, but making systems change is really the key. Making change is about questioning the way we have been taught to learn, and what our assumptions are about the universe are. Learning the difference between a simple, complicated, complex and chaotic system and the means to identify when those systems present themselves (and how they often change) is another. This means finding like minds, sharing stories, and building networks. It means creating space for relationships — even in our linear planning models if we must keep them (or better yet, get rid of most of them) — and considering what kind of returns we get from paying attention, being mindful of our systems, and what kind of things contemplative inquiry might offer that simple, detached data analysis does.

These are starting points, but not all of them. Addressing the challenge of complexity is, ironically or perhaps appropriately, complex. But the challenge of dealing with the negative outcomes resulting from overly simple approaches to dealing with complexity will ultimately be far more so.


Creating Campires For Innovation and Knowledge Translation

Gather round

A campire has been a beacon for human life for centuries and may provide the ideal analogy and literal tool to engaging people in creating new things. The opportunities for it to shape our thinking and actions is enormous.

The campfire is a place where we go for warmth, intimacy, safety, light, food and inspiration. As camping season comes upon us in the Northern part of the Americas, it seems fitting to consider the ways that the campfire might be used to stoke the sparks of imagination and flames of passion (pun firmly intended).

Metaphors and analogies are commonly used in systems thinking and complexity science to illustrate concepts that are, on their own, relatively complex and awkward to describe literally. A campfire provides both a metaphor for bringing people together, but also a literal tool that could be used more effectively in work with groups struggling to innovate, collaborate and contemplate together. From a design perspective, campfires and the social system that they create around them provide an opportunity to enhance intimacy quickly, allowing for the potential to explore issues in ways that are more difficult to do in other settings.

Consider some of the following properties of the campfire.

Lighting has been found to have a strong environmental effect on many behaviours and moods, and the type of inconsistent light that is thrown by a campfire is similar to that which induces relaxation and intimacy (PDF).

It can be argued that storytelling has been our most powerful vehicle for sharing what we know throughout human history. Research on narrative effectiveness has found that emulating the environments created by a campfire (PDF), the close-in, small-group, open dialogue sharing kinds of spaces, leads to more effective communication in business contexts.

The sensory richness of a campfire — the smell of wood and smoke, the crackle, the sight of sparks and flame, the feeling of heat — all create an environment that differs from much of what we are used to, provoking psychophysiological stimulation that has been associated with learning outcomes. Research linking environmental design and architecture has explored the phenomenon of sensory richness and how modern designed environments reduce this and (potentially) limit learning.  (See program example here).

Another quality of a campfire is that it creates space for meditative inquiry. Anthropologists and psychologists have speculated that it was the campfire and the meditative rituals that it created that led modern humans to separate from Neanderthals. The  focus on something like a fire draws attention away from the chaos of the world and channels into a circle that is generated through the campfire.

One of the benefits of a campfire is the circle that it creates. Leadership scholar Meg Wheatley, Christina Baldwin and Ann Linnea reflected on their use of the circle and how it has been used historically as a means of creating a common space where participants are on more equal footing with one another as a means of leadership promotion. In a circle, everyone can (usually) see everyone else and no position is held as more important than others, which privileges all participants and not just some.

Lastly, the campfire creates not just internal peace, but social intimacy as well. Indeed,modern social media has been compared to the campfire (PDF) in its ability to potentially replicate the focused, shared space that a campfire occupied for much of human life. For the reasons listed above, the social media effect is likely limited, but nonetheless the metaphor may partly hold in light of a lack of alternatives.

In practice, lighting a chord of wood in the middle of an urban setting might be problematic, but it is worth considering for those of us looking to create those social spaces where people can gather. Taking a break and leaving town might be worth doing as well. Failing that, what are the campfire-like spaces that we can create with what we have.

Designers, health promoters or anyone seeking to bring together ideas while working in complex spaces may wish to give this more thought — or meditate on it, which might (as it has done before) spark a new evolutionary shift attributed to the campfire.


Complexity and Innovation: Lessons from elBulli

Cooking up new ways to do things

Good chefs know a lot about innovation in complex environments as they prepare meals for their customers. We can learn a lot from watching what they do and how they do it.

There is a renaissance in the food industry that is underway where local, seasonal foods and attention to regional specialties are replacing a homogenous generic set of flavours and dishes. Yes, we still have our fast food chains, but traveling to different cities in North America, it is refreshing to see that difference is beginning to replace the same-old-same-old. While there are arguments to made for how local food positively impacts flavour, economic development, sustainability and environmental responsibility, one positive is not efficiency. Cooking local, organic or ethically all add layers of complexity to meal planning and preparation as certain foods are simply not alway available and some require serving in very small windows of time.

For these reasons, chefs and their kitchens are ideal case studies for innovation and complexity.

Perhaps nowhere is this more true than at elBulli, the restaurant often considered to be the best in the world with its chef, Ferran Adria, considered to be the best as well.

Chef Adria was recently interviewed for the Harvard Business Review where he spoke of the innovation process at elBulli and how that applies beyond the kitchen. In that interview, he places a high value on the concept of creativity and how it is nurtured through teamwork. When asked about how this collaboration and creativity produces innovation, Adria replies:

First, if it opens a new path, and second, if it excites you.

That second part is what excited me (after opening a new path, so I guess this interview was innovative!) is the emphasis on personal engagement. Yet, this engagement also requires collaboration with others who think differently. Complexity requires exposure to diverse perspectives to address issues sufficiently and to this end, Chef Adria clearly advocates for going beyond the discipline:

It’s also very important to be connected to other disciplines: the world of art, of design, of science, of history. When an architect designs a building, he has to work with engineers and people in new technologies. It’s the same in cooking. We need experts in other fields. We turn to science, for example, to explain the “why” of things. Exploring and getting to know things is fundamental to ensuring that you don’t shut yourself off in your own little world.

The other key ingredient in this chef’s innovation pantry is focus and attention. Through the interview and others I’ve read of him, I see great attention towards the craft of cooking and keeping mindful attention on the task and doing it with a team.

It’s like any work. You need concentration and professionalism. And it’s very important to have passionate people with their own imagination. I’m the boss, and I pick the best team. We have 40 people in the kitchen and five managers with a great deal of focus. Everyone participates. And you create an environment that gives them space and the sense that they’re taking part in something very important. You can only improve the ones who are already good; you can’t do anything with the bad ones. Talent and capability lie with the person, not with the teacher.

The last point is worth noting too: teachers aren’t everything. I’ve been critical of our teaching environments and the way we structure formal learning as being too teacher and curriculum-centred and not creativity centred.

Finally, Adria emphasizes taking time to learn and integrate. Even when a famous restaurant that is open only 6-months a year, the creative pressures are still too much. More is needed. So, elBulli is closing. When asked why, Adria stresses the following:

The pressure to serve every day doesn’t offer the kind of tranquillity necessary to create as we would like. For the model we’ve had, six months a year was sufficient, but our new format will require a different focus. The most important thing is to leave time for regeneration. It’s important to “oxygenate” ourselves a bit—to let ourselves recycle and to adapt our vital and mental rhythms to a new set of demands.

In the health sector, we do the opposite: cram as much in as possible, despite the health implications.

So perhaps there is even more we can learn from the restaurant business and its lessons for innovation. Time to start cooking.

** Photo Cooks in an Italian Restaurant Kitchen, 1959 from Seattle Municipal Archives


The Momentum Problem in Developmental Design and Evaluation

Setting a pace and keeping speed

Developmental projects evolve at a pace that suits them, but what happens when the speed and pattern of this process collide with the other projects in life? 

The concept of developmental evaluation and developmental design resonate with a lot of people working in social innovation, public health, and international programming. The reason is that, despite the wealth of planning frameworks available and the logic that is embedded within them, the world doesn’t really work according to plan.

As Colin Powell once said (paraphrasing another famous military leader):

No battle plan survives contact with the enemy

While we may accept this as common and expected among our programs, it doesn’t make adapting to these circumstances any easier. And, true to complexity, the more elements added to this mix, the more unpredictable and non-linear things get.

For developmental evaluators, this non-linearity and complexity is part of the job, but when you’re working on multiple projects, that job becomes more challenging to do. When you are a program manager responsible for budgets, ensuring that you have the right staff, accounting for the delays and system dynamics associated with your program delivery is an enormous undertaking and can by itself shape the program that is actually delivered. One can’t justify keeping a staff member on to wait for things to happen; most of the time that person is found other things to do in the interim. However, those “other things” lead to a fragmented attention on what is going on with the program.

Multiply this by manyfold, and you have a truly complex problem affecting a complex program.

What does this mean for a developmental design and evaluation? My motivation for writing this post is to solicit ideas and stories about this problem set and explore some potential solutions. While I personally struggle to maintain the focus and momentum on projects that have extended lags, unpredictable or spontaneous patterns of activity,  I know that many of those lags are partly affected by those running the programs having other things on their plate. Its a compounding problem. One person experiences a delay, occupies time with other things that take them away from the project, which create further delays with other elements of the program and so on.

From a design standpoint, this is less problematic. These delays can spur creative reflection and action towards generating a product if the time away from action is used for such mindful attending to ideas.

For developmental evaluation, this is slightly more problematic as the event-process-effect links that we seek to connect together become harder to disentangle. Non-linearity doesn’t mean that there is no such thing as cause and effect. It is just that there are consequences arising from events that are nearly impossible to trace back to a single “cause” (which may not exist), but nonetheless, something does happen that sparks other things. The more one can attend to such things, the better quality the evaluation.

Yet, I argue that the very complexity of the programs require more not less attention when doing evaluation lest we become simple storytellers. We offer more than that. But to do that well requires a sustained level of attention to the dynamics and what we might call paying attention to the silences to glean lessons from non-action that might have significant impact on our programs. This also requires not “filling the time” when things are quiet, but remaining active. Anyone who practices mindfulness meditation knows that non-doing requires a lot of work!

This sounds nice, but how practical is it? And how do we set benchmarks of sort to evaluate the silences and justify such active work in times of quiet? Or do we simply ride momentum like others and hope that we can pick things up when the momentum is high?

Photo Speed of Sound by Ana Patricia Almeida used under Creative Commons License from Flickr


Branded Knowledge: Does This Make Sense for Health?

Commercial products relying heavily on branding to entice their purchase and use in a crowded marketplace. Is this something that the health sector should consider and, if so, what might it look like?

I’ve just spent a rare free weekend in Chicago walking around, taking in the sights, and doing what a lot of other people do when they travel to another country or city: shop. It is hard to avoid some shopping when down in the Loop on Saturday or Sunday as that is what much of Chicago’s core is made for. The same can be true of most major centers, if you exclude the office buildings that are often semi-vacant on weekends.

A brief tour of many of the shops, from the discounters (Filene’s Basement, TJ Maxx, and Nordstrom Rack) to the mid-range stores (Macy’s) to the higher end department stores (Nordstrom) and the many boutiques, one is easily amazed by the abundance of goods on sale. But what intrigued me as I stood and watched what was around me was that many of the branded goods available at all of these places (including many of the boutiques) were the same. Big names in fashion were at all of them. And the products themselves were virtually indistinguishable from one another except for 1) price and 2) seasonality.

The first is perhaps the most obvious, but as one who is not as attuned to the seasons in fashion beyond the warm-weather/cold weather distinction as many, it the second part that I find most interesting. What makes last year’s $150 pair of Lacoste sunglasses worth $25 this year is nothing other than its seasonality. In other words, they are last year’s model and no longer as coveted.

It struck me that we do this in the health sciences all the time. If your reference list isn’t up to date, people question the sources and the validity of the findings. While probably appropriate for work in basic and clinical sciences, it seems less true for health promotion. It also seems less appropriate for areas where there is great complexity.

Brands also matter with regards to where something is published. A premium is placed on scholarly work that is published in journals with high impact factors over those that are in lesser-known journals. The underlying assumption here is that the more people cite something and the more we believe a source to be high quality the higher the quality the knowledge. The strength of the brand of sources like JAMA, Science, the New England Journal of Medicine and the Lancet exceed the rest of the health field.

While this respect for such “brands” sounds reasonable, there are many problems associated with it. Most notable among these is that they publish a certain type of knowledge in a particular format that adheres to particular models of discovery and rewards particular ways of expressing information. This has advantages, but it also creates path dependencies that shape knowledge itself and restrict the sharing of other forms of knowledge. In doing so, there is some assumption that the “best” knowledge (i.e., that which fits with the brand) looks a certain way and fits a certain way.

An alternative is to create different brands, just as we see in the marketplace for clothing and other retail goods. Apple, once a brand favored by a small, but fervent group of supporters in the early 80′s, is now the world’s most valued brand. It was the small, scruffy underdog and now is the leader. The same might be said for other forms of knowledge. If we were to package health promotion into a form that had the same appeal as other sources, could we create a demand and cache for it in a manner that drew people to it? And would this be a good thing?

I’m not sure. But I do believe it is possible. A colleague of mine once did a study looking at factors that predicted uptake and citation of research knowledge in a particular domain by looking at study qualities across a number of dimensions including design, home institution, discipline and others. After all was considered only one factor predicted uptake: the study used an acronym. Yep, if you branded your study it was more likely to achieve uptake than if you didn’t. To my knowledge this data was never published, presumably because it was so embarrassing to us scientists as it provided evidence that evidence isn’t just what drives our work. Whether it holds over time is worth considering, but it does suggest that brands might matter.

Marketers and companies work hard to distinguish themselves in a crowded marketplace. In a world where there are literally tens of thousands of venues for publishing our findings that are chosen every week, the market is filled. And do we want to rely only on the big brands to fill our knowledge? If so, we run into the same scenario as I did shopping by seeing the same brand everywhere and, because of that, seeing its value discounted because there is so much of it and it expires quickly.

The comparison is not perfect, but neither is it outrageous. Could branding knowledge and knowledge translation be coming to an inbox, book, or library near you?


Creative Intelligence or Design Thinking?

Two minds of Design: Creative Intelligence or Design Thinking

 

 

 

 

 

 

 

 

 

 

Design commentator Bruce Nussbaum shook up the world of design thinking this week arguing that it is a “failed experiment” and that Creative Intelligence is an appropriate term to replace it. What might this mean for design and its increasing role beyond its traditional boundaries?

Reading the blogs (and comments) at FastCo Design this week it would seem that anyone invested in design thinking might want to take cover. Design thinking apparently has jumped the shark and is, as Bruce Nussbaum claims, a failed experiment. In its place should be creative intelligence, a process that Nussbaum describes as:

I am defining Creative Intelligence as the ability to frame problems in new ways and to make original solutions. You can have a low or high ability to frame and solve problems, but these two capacities are key and they can be learned. I place CQ within the intellectual space of gaming, scenario planning, systems thinking and, of course, design thinking. It is a sociological approach in which creativity emerges from group activity, not a psychological approach of development stages and individual genius.

This proposal comes from a visible frustration with the way in which design thinking has been taken up as a tool with the critical component — creativity — left out in the cold.

Nussbaum’s rally against design thinking has not to do with its successes (in which he outlines many, including the widespread application of it to service and non-profit development), but rather where it becomes a barrier and where it fails to deliver:

But it was creativity that Design Thinking was originally supposed to deliver and it is to creativity that I now turn directly and purposefully. Creativity is an old concept, far older than “design.” But it is an inclusive concept. In my experience, when you say the word “design” to people across a table, they tend to smile politely and think “fashion.” Say “design thinking,” and they stop smiling and tend to lean away from you. But say “creativity” and people light up and lean in toward you.

Nussbaum clearly struck a chord with many. Within hours of the article being posted, dozens of comments were posted to the site, with most favouring the cause of creativity over design thinking.

Frog Design‘s lead on health projects, Robert Fabricant, weighed on this issue as well with another FastCo Design post comparing CQ to Wile E. Coyote’s efforts to get the Roadrunner, speculating that CQ may not fare much better than design thinking in the long run if not applied strategically:

Creativity is generally viewed as an inherent quality within a person; there’s a notion that you find out early in life whether you are creative or not. How many times have you heard a business person say “I am not creative” in a meeting? The concept of “Creative Intelligence” (or CQ) extends that model by implying that our level of creativity can be assessed in a quantitative manner similar to an IQ score. By bringing creativity into the sphere of assessment, I fear that CQ will ultimately suffer a similar fate as Design Thinking.

Fabricant worries about the institutional co-optation of the term CQ much as design thinking was/has/is by many in the business world.

While I respect the efforts to extend the creative power of design beyond the confines of mere terms, the rhetoric of pro- or anti-design thinking has already left me exasperated. It is evident that many are dissatisfied with what design thinking hasn’t brought and how it has been used, but my concern is that we may be throwing the baby out with the bathwater and undoing the good it has done by claiming such things as it being “a failed experiment” .

I argue that it never had the chance to be fully implemented in the first place, nor have we ever raised it to the level where any scientist (behavioural or otherwise) could claim an experiment ever took place. I’m nit-picking the words because that is exactly what the design thinking critics have done, but in this case I am arguing for more research not a new term.

Design practitioners and scholars may wish to consider the answers to the following questions before closing the book on design thinking:

  • What are the central theoretical foundations of design thinking?
  • How does design thinking map on to what is known about how people change their behaviour? or organize in groups, teams and communities?
  • In what ways does the science of complexity and system dynamics fit with the design process?
  • What are the personality and delivery variables that influence an acceptable facilitated design process?
  • What is “success” in a design thinking intervention?

None of these questions have been answered. Books have been written, talks have been given, and magazines fill themselves with articles on design thinking, yet in all my intellectual travels I have not found answers to these questions. As a behavioural scientist and emerging design practitioner myself, I would rather know these answers before making such claims to abandon the idea.

Further, the concept of CQ is, as Robert Fabricant noted, fraught with pitfalls ahead. Every time a new “intelligence” is introduced, the rush to assess it, measure it and teach it produces a wave of scholarship aimed at tree-loving rather than forest appreciation. Where I think design thinking could have gone further was not so much in instilling/harnessing/discovering creativity, rather in getting people to consider the systems that people fabricate to do creative work in.

It is perhaps ironic that in a week where design thinking is under attack in the social media world that FastCo Design’s parent, Fast Company, published an interview with one of the founding fathers of the concept, David Kelley of IDEO on designing better workplaces and workforces. In that interview, he frames design thinking in a process and outcome that is worth listening to for those interested in adding to the science of design thinking and how to make these better environments:

The main tenet of design thinking is empathy for the people you’re trying to design for. Leadership is exactly the same thing–building empathy for the people that you’re entrusted to help. Once you understand what they really value, it’s easy because you can mostly give it to them. You can give them the freedom or direction that they want. By getting down into the messy part of really getting to know them and having transparent discussions, you can get out of the way and let them go. The way I would measure leadership is this: of the people that are working with me, how many wake up in the morning thinking that the company is theirs?

I welcome more discussion on CQ and believe anytime creativity is bared for people to explore and nurture society benefits. But the risks of abandoning one idea without science to create a new one is that design’s influence itself might wind up the victim. Creativity is an old concept and many disciplines hold it as part of its central tenets and design risks losing the good in design thinking while reaching too far into creativity unless it has the science to back it up (see an interesting link between science and design in this month’s Metropolis magazine — that’s for another post)

Of the few that have managed to traverse this area between design, creativity, and science is Keith Sawyer at Washington University in St. Louis. Check out his books on the subject.

**Photo entitled “Is the traditional business world at war with creativity?” by opensourceway used under Creative Commons license from Flickr


What the Slutwalk, Marshall McLuhan and Rebecca Black Have in Common

How famous are you?

The speed at which information is translated into ideas, intentions and actions is now global and nearly instantaneous, which has consequences for collective action.

In the future, everyone will be world-famous for 15 minutes. – Andy Warhol

Andy Warhol‘s oft-quoted phrase from 1968 hinted at a future that Marshall McLuhan saw encaptulated in his famous concept of the global village and the idea that the medium is the message:

The medium is the message – Marshall McLuhan

UK artist Banksy has gone so far to proclaim that in this new social media, always connected, perpetually broadcast media world we will all be anonymous for 15 minutes (see above photo). If true, this has implications that go beyond simply getting ready for fame, but more deeply into the way in which media messages are constructed and construed within a social media landscape. Some cases of how the quick-release created by media this week got me to thinking more about what this might mean for health and creating better communities.

One case is the Internet sensation-of-the-moment Rebecca Black and her widely viewed (which was up to more than 80 million hits as of the time of this writing), parodied, and celebrated video “Friday” . Within the span of two weeks, a 13-year old girl who was largely unknown outside her classmates, friends and family was portrayed as everything from a new talent to a no talent in social and mainstream media circles by pundits, the public and journalists as a whole. One small, yet intricate, act of creating a video and publishing it set off the most talked about musical event since Susan Boyle.

On a matter far more serious, Torontonians — women and men — came out in the thousands to voice their concern over insensitive, negative stereotyping of women in the first ever slutwalk. The website for the organizing team described the instigating issue like this:

As the city’s major protective service, the Toronto Police have perpetuated the myth and stereotype of ‘the slut’, and in doing so have failed us. With sexual assault already a significantly under-reported crime, survivors have now been given even less of a reason to go to the Police, for fear that they could be blamed. Being assaulted isn’t about what you wear; it’s not even about sex; but using a pejorative term to rationalize inexcusable behaviour creates an environment in which it’s okay to blame the victim.

What Marshall McLuhan (add Warhol and Banksy here too), Rebecca Black’s “Friday” (and Susan Boyle’s “I have a dream”), and Slutwalk have in common is that they all gained, retained, and explained themselves through widespread media, intense emotion, and great misunderstanding resulting from the media form.

With McLuhan, the emotion is less (unless confusion counts), but there is still much resonance with his work and celebration of his theories aimed at helping people understand the relationship between media, the messages conveyed, and the cultural reproductions created through them all. While McLuhan’s words are well known, his theories are not, nor has there been much effort to get to know them. I know few who have read his original texts, slightly more who have read secondary accounts of his work in scholarly manuscripts, and most who have done neither or, at best, caught him in his movie cameo in Woody Allen’s Annie Hall.

Rebecca Black has the (mis)fortune to be one of Worhol’s famous people, albiet for more than just 15 minutes. Just as Susan Boyle no longer graces our aural landscape as she did, I suspect Rebecca Black will move closer to what Banksy speaks of within the span of a few weeks with her work to join Double Rainbow and Steven Slater (the JetBlue flight attendent who jumped out of the plane with two beer) as memes that have come and gone.

Slutwalk, I hope, finds a more generous fate. At present it is tied between something of substance (like McLuhan) and celebrity (Black), and is as misunderstood as both. Whereas McLuhan’s work is often overlooked in detail because it is rather dense and challenging, applied without consideration of the manifest ways in which media and messaging intersect, Black’s video is taken up without any thought at all, yet not critically analyzed. (For music fans, I suggest spending an hour with Lady Gaga on her recent visit to Google to see someone who walks the line between McLuhan and Black well, taking the highest art form from both and addresses Black’s fame in answering an audience member’s question).

Reading through the Twitter feeds with #swto and #slutwalk found some cheers, and some questions about what Slutwalk is. Sadly, some of the comments were the (to be expected, I suppose) sexist comments that represent the take-without-thinking approach (Black) from misinformed or misogynist (or both) tweeters. Yet at the same time, there were some who thought about the issue a lot, yet may have been overly analytical about certain aspects of the situation (McLuhan) to the point of making small things into bigger ones. In the latter, there were over-generalized attacks on the police officer who initiated the walk in the first place (and has apologized – the sincerity of which is unknown by me) and the establishment of the police service as a whole.

Neither of these perspectives tell the whole story, but when viewed through the lens of social media, safe ground is harder to find. Nuance is not something that Twitter posts do well. A post by the Toronto Sun shows what would have to be the most stereotypical picture of the “sluts” on its cover (which I see as intentional), with no hint at the diversity of women (and men) who joined the march to specifically highlight that it doesn’t matter what you wear, all women have rights to be who they are and be free from violence. The immediacy of social media and online media, makes this a more complex argument when either the overly simple is favoured and the overly complex is posed as a counter. It is easier to attack someone or to mock them, but harder to understand that person. If we are to design better social systems, understanding is key.

Why write about this here? Because these are the issues we face in health promotion all the time. Poverty, racism, access to health services, mental health and wellness, and education are all issues that are complex. They cannot or will not allow themselves to be understood in simple terms, yet are issues that speak to the wellbeing of society. Slutwalk was about rights and freedoms for more than one half of our population. It was about respecting people for who they are, honouring their sexuality, and educating everyone about the prevalence, consequences and risks associated with unwanted sexual advancement and assault. When it becomes a Rebecca Black Friday issue, it is about things like the salacious use of risque’ language and when it is a McLuhan issue, it takes a library to understand it.

Surely with our amazing tools we can find some middle ground to make the complex accessible, and the simple more sophisticated.

** Photo by fstutzman used under a Creative Commons License from Flickr.


Developmental Design and Human Services

The ever-changing landscape

One of the principal challenges for program evaluators and researchers is overcoming design limitations imposed by programs that fail to account for time and development. What might it look like if we took this path and what does it mean to engage in developmental design?

If you are like me, climate change scares you. I live in Canada, so in some ways (particularly these cold winter days), the thought of having the season be a little warmer has some appeal. But complex systems don’t work quite that way as there are intense costs projected with the privilege of having more days of the year wearing a light jacket or shorts than an overcoat or parka. What makes climate change an interesting example from the perspective of service programming, design and evaluation is that it provides a look at a real-world way to conceive of development over concepts like improvement and takes change in a whole new direction.

Humans are rather paradoxical creatures in that we are both attuned to moving forward (consider the design of the body: everything is oriented to one direction) and a perfect example of a developmental system.

A developmental system is one that evolves and adapts to changing inputs and transforms itself over time as more information is added to it (i.e., it is a complex adaptive system). From a programming standpoint, it means things don’t “get better” or “improve” per se — those are value judgements places by us — but rather, they build adaptive capacity.

Concepts like developmental evaluation, introduced and discussed in this space before, are ways to respond to this from an evaluation standpoint. DE provides a method of feedback generation that can enable programs to adapt and evolve by using the principles of complexity science with program evaluation methods to create a platform to detect and monitor emergent conditions and support innovation. And while there are some questions to ask of a program to see if it is suited to a developmental evaluation, we often forget to ask whether the program was designed to develop in the first place. What if we placed that at the centre of our discussion and started with development in mind?

My previous post looked at designing for time and space, but designing for development takes this one step further. Social media and technology-delivered program spaces provide an example of an environment where development is most obvious. Facebook was designed to expand and evolve, although one might challenge how well they’ve really developed. If you consider how effective, long-lasting software and services survive, they develop over time. In some cases, this development was designed into the process. Many open source software platforms are designed with this in mind — the Firefox browser and even Google’s Chrome are examples of tools that were built to be developed on. The originators designed  the basic foundation with the idea that they would evolve into something else.

This doesn’t happen very often with human services. There are few programs that are designed with development in mind. When it is acknowledged that things will change, it is done so reluctantly. Program in this context refers to any organized effort to change behaviour and produce products for human need. In public health, the further irony is that programs aimed at changing behaviour — whether it is supporting healthy eating, smoking cessation, mental health promotion or others — are often designed with rigid controls built in. We develop manuals, create ‘best practice guidelines’, amass evidence and create toolkits that can be applied to any circumstance, without attention to context or adaptation.

Indeed, when you relax these controls, many get concerned.

Having conducted a few social media trainings and presentations over the years, the most consistent question I am asked by those in public health is: how do I control the message. The answer is: you don’t. This can lead to questions about evaluation, which gets into problems of research design and trusting the findings, because research typically applies rigid controls for quality assurance.

With social media, what can be done is to use a process of developmental design by engaging with the audience/client/public in an authentic manner with the explicit thought that the program that launches today will not be the one that people engage with in a year, or a month or sooner. Support this evolution through developmental evaluation (which I would include as a part of the developmental design process) and you’ll have a feedback mechanism that encourages shifts over time.

Developmental design takes into account the complexity of the environment in which a product or service takes place and enlists a continued process of engagement with stakeholders over time — a true relationship (which is why social media can serve as a good example). Rather than take a static design brief, a living design brief would be used and constantly revisited and tweaked over time. Paying attention to changes in the brief over time would also enable program developers to detect weak signals that could precede large shifts in behaviour and potentially support strategic foresight and planning. Developmental design, as I’ve conceived of here, is attuned to complexity and innovation in human systems and designs for it and adapts with it, rather than assuming the opposite.

Applying developmental design may get us past the inevitable square-peg-round-hole problem that many evaluators, program planners and policy makers find themselves in as they seek to get greater value from their programs and demand more return on their investments. Evaluation and research is sought as the means to do it and with programs designed for evolution from the start, perhaps we won’t be surprised when the metaphorical ice sheets start to fall apart (as seen above) and see it as a developmental step to a new reality.

** Photo Nature Antarctica 17 by Christian Revival Network used under Creative Commons Licence.


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